Rob Price
Gutbrain Records
rob + gutbrain.com = email


2025 September 05 • Friday

Vinegar Syndrome releases keep arriving in the mail. They pile up on the guitar amp next to the rocking chair and I try to get to them. Among the highlights this summer was the Nick Millard Action Collection.

This set contains five low-budget, independent movies from the 1970s and '80s, presented here on two Blu-ray discs. Nick Millard was quite a character, a second-generation exploitation filmmaker whose father could be a bit of a con man at times.

Millard started out in porn and made a couple of horror films before turning his attention toward the action genre. Shooting on location is always a matter of necessity for those working with his constraints but he gets some remarkable places in there, the Millard family vacations always including some time set aside for shooting.

And before you get to the actual features, there's this promising message: "The Action Films of Nick Millard were all stored in extremely sub-standard conditions, resulting in extensive physical damage, including moisture damage. Additionally, due to Nick Millard's frequent re-cutting of his camera originals, all film elements contain extreme amounts of dirt and handling damage. Although extensive image restoration was performed, substantial dirt and damage remain. Furthermore, due to Nick Millard's unorthodox approach to filmmaking, he edited each of these title 'Single Strand,' rather than AB rolling, resulting in visible splice marks on most cuts".

First up is .357 Magnum, a loosely plotted hitman-versus-hitman story.

Assassin John Hightower is tasked with taking down a hired killer named Clay who's been on a killing spree from Angola to Hong Kong. Hightower tries to get his old teacher Steve to come with him on the job but Steve demurs, opting instead to hone Hightower's skills.

Steve changes his mind when he learns who Hightower's target is, as Steve also trained Clay.

There's a bit of a setback after that, as well as an incident that might be a reference to The Man from Laramie but also of course might not.

Certainly this is not a production with a lot of money or seasoned technicians going for it, but it's pretty fun to watch and a movie like this will at least be different from usual fare.

The score is also low-budget and efficient, getting a lot of mileage out of solo piano and also the koto.

This is the only one I've watched so far but I'm looking forward to exploring the other titles in the box!