2026 April 08 • Wednesday

Gabriel McKee's Saucerian: UFOs, Men in Black, and the Unbelievable Life of Gray Barker covers a lot of ground, from fringe fantasy and conspiracy theories, to an under-examined printing and self-publishing revolution, passing through civil rights struggles, social conventions and widespread traditions of folklore.

In addition to all that, it is a superb example of the art of biography. This is an extraordinary volume.

Gray Barker was born in West Virginia in 1925. He lived there his whole life, working mostly in movie theatre and drive-in promotion, booking and management, though also in cinema equipment and, at one point, picking up a job with United Parcel Service.

Movies were a passion and so, too, was the world of UFOs and adjacent interests (Hollow Earth and New Age occult ideas, for example). He occupied himself professionally with those, too, as writer, editor, promoter, publisher, lecturer, etc.

McKee has done an astounding job of presenting a coherent, compelling and convincing portrait of Barker, using a wide array of sources, including police and court documents relating to the difficulties of being gay in mid-century West Virginia.

Even more compelling is McKee's construction of Barker's activities as part of a narrative or metanarrative tradition and how this relates to human consciousness and our societies and customs.

All of this is accomplished with a sure hand and a light touch. The reader will never get bogged down in academic jargon or slog through paragraphs of boring theoretical suppositions.

Gray Barker has achieved a kind of immortality, thanks to the Men in Black, and he himself was fairly ambiguous about "belief". Much of what Barker wrote was not true and he knew it not to be true. He perpetrated frauds and hoaxes, intentionally, often in collusion with others, and he could be amused by as well as sympathetic to those storytellers who believed the tales they told.

The interest in the saucer scene was a useful cover for his sexual activities, since it marked him in his small town as an eccentric sort of guy who might as well be an unmarried loner who spent his time with another guy with the same hobby.

And ultimately Barker seems to have decided that the real issue is a kind of freedom of expression, freedom to think, to dream, to write, to publish, to question and to investigate.

With a bit of work, definitely with a bit of work, you could make him into an American hero.

This is a fantastic book that I think would be interesting to almost anyone, regardless of their interest in UFOs and the like.

It's just brilliant.

The first line is "Against a grainy, green-gray background the oblong, silvery object seems to hang motionless".


2026 April 06 • Monday

Before Stu Phillips achieved automobile immortality by writing the theme and music for Knight Rider, he created some a fantastic biker score for Hells Angels on Wheels, the 903rd Soundtrack of the Week.

The main title theme is an off-kilter groover with amazing fuzz guitar sound and a chorus of male voices singing "ba ba ba". Yeah, it's awesome.

Then there's slinky electric bass guitar with sitar and tambura playing over it and percussion that includes drum kit and what sounds like an attempt to produce tabla sounds without having tabla for "Flowers".

"Biker Ballet" is a hippy dippy type song that brings back the slow-motion scatting chorus from the main title theme and adds a spacey "Movin' but goin' nowhere" line that gets sung a bunch of times.

After that comes "Skip to My Mary J", a straight rocker with really tough fuzz guitar sound. This might be Davie Allan & The Arrows. Sure sounds like them.

The next track is "Study in Motion #1" which has vocals by The Poor and was co-written by Phillips with Chuck Sedacca. It starts out with the "Movin' but goin' nowhere" line and similar flower-power feel as "Biker Ballet" but expands it with more lyrics and more elaborate harmonic structure.

The scatting chorus returns over a groove that's like a hybrid of "Blue Rondo a la Turk" and a conventional surf/hot rod number in the energetic "Tea Party" number. Flutes get featured and the guitar and drums are really good.

There has to be a slow and pretty song on here and Phillips delivers with "Poet", which sails by pretty to arrive at gorgeous. It's just a beautiful ballad with hauntingly lovely chord changes and a bewitching keyboard sound. Clavinet maybe?

"Sunday Art and Football" is kind of a hybrid of "Flowers" and "Tea Party" while "Poet Scores" is a jazzy, atmospheric number for a combo of flute, electric harpsichord, flute, electric bass guitar, drums and vibes. More people should do stuff with this instrumentation.

The same combo comes back for the final piece, "Four, Five, Six", another jazzy number with a relaxed swing feel.


2026 April 03 • Friday

In addition to writing a biography of Gray Barker, which is equally a story of independent writing and publishing and a dizzying collision of metanarratives and frauds, Gabriel McKee put together Behold the Behemouth, a book that contains Barker's poetry and other writings.

Many of the poems are quite short and pretty successful. Longer pieces don't work as well, though they cover a lot of ground.

Some favorites:

At the Photographers

Sit very still now.
Sit very still.
Click!
"There.
Three dollars please."

Anachronism

Hercules with massive club.
Why speed in your new Ford V-8?
Why rush like mad to Washington?

Of course UFOs have to make an appearance:

Grandmaw and the Saucer

When Grandmaw saw the saucer whirling down
She raised a crooked cane into the air.
"We folks don't believe in you!" she cried—
"(This younger generation, I declare.)"

Since some of this material is mentioned and cited in the biography, this book is an excellent resource to have at hand. And of course it gives insight into Barker's character and ways of thinking.


2026 April 01 • Wednesday

The 1950s were a golden age for UFOs and one of the central people active in that area at that time was Gray Barker.

MIT Press has just published a biography of Barker and Gabriel McKee, the author of that biography, has also collected all of Gray Barker's poetry that he could find, which has just been published by Apport Editions.

These books are on my reading list but I only just recently encountered Barker, picking up his own book, They Knew Too Much About Flying Saucers, in a used bookstore in San Diego last winter.

This was an enjoyable and well written book in which Barker recounts some of his experiences as a busy person in the flying saucer world.

He has his own newsletter/magazine, The Saucerian, and is thus connected with people around the globe who publish and contribute to similar periodicals.

The accounts he presents of other people's UFO stories are invariably interesting and seem to be straighforwardly told by sound-minded and unbiased observers.

At times he strays into hollow earth lore and is very impressed by the idea that the accumulation of ice in Antarctica is going to cause the Earth to "capsize" and flash freeze everything in an extinction-level event. He is also persuaded that this has already happened in the planet's past.

These diversions are indicative of Barker's apparent tendency to be a little less skeptical and less logical than he should be. And while Barker found the thought terrifying, it goes without saying that nobody worries about too much ice building up anywhere on the planet anymore.

But all of the UFO stuff in here is great. And Barker also gets into detail about the famous "men in black" who visit these UFO investigators and scare them into total silence and discontinuation of their work.

They don't visit Barker, or at least he doesn't say that they do in the book, but some of his colleagues have this experience and Barker shares their stories along with other information he was able to gather.

As usual, nothing in this book is verifiable or "evidence" of anything, but it is very interesting nonetheless.

It's also a window into some very curious people engaged in a fascinating hobby in a near but also so distant time and place.

UPDATE: I've been reading a biography of Gray Barker and while this book is already not exactly straightforward, it turns out that all of Barker's work has layers of sincerity and falsehood, pranks and reportage, manipulation and self-promotion.

While his interest in the subject certainly seems to be genuine, his motivation is often purely profit-driven as well as using this eccentric but harmless pursuit as cover for being a gay man in mid-century West Virginia, something that was essentially illegal.

It's a fascinating but ultimately depressing story, intertwined with an under-examined printing renaissance as important in its way as the invention of the printing press itself.

The first line is "There are no such things as flying saucers".