While Hancock's score for the movie had a sort of jazz/funk/Latin thread running through it, Page opts for blues rock as the musical center for the second movie. The first track is the full strength versionm "Who's To Blame", with vocals by Chris Falowe and guitar and guitar synth soloing by Page.

Then there's a monster blues rock stomp instrumental in "Jam Sandwich" that could easily have been slipped into a Led Zeppelin song.

The sensitive ballad requirement is easily fulfilled by "Carole's Theme", which blends piano, strings and acoustic guitar for a lovely and serene piece.

Tense "crime" writing for strings kicks off "The Release" but is soon supplanted by Page's signature guitar playing and the rock rhythm section taking us into another rock instrumental, not so much bluesy this time but almost hinting at Iron Maiden-style guitar lines.

A woozy electric bass sound occupies the center of "Hotel Rats and Photostats", which also has some nice synth touches. This feeling of suspension in space with interesting tones and textures floating in and out continues with different colors and feels in "A Shadow in the City", with Page alternating between electric guitar harmonics and guitar synth.

"Jill's Theme" is an urgently tragic cue for one of the movie's lowest points, followed by a space rock version of a Chopin prelude for "Prelude".

Then it's time to rock again for the big and loud "Big Band, Sax, and Violence", another vocal number. Then it's another slab of intense instrumental rock for "Hypnotizing Ways (Oh Mamma)".

This expanded edition of the soundtrack also has some alternates and different arrangements as well as some extra diegetic music, such as the country rock song "Country Sandwich" as well as a beautiful multi-guitar tune called "A Mirror Sketch".