"Joanna's Theme" is a love theme, like you'd expect, but it's unusually intense, with the twinkling piano operating at a faster tempo and with more energy than you'd expect. The bass line is also similar to that from the main title, perhaps to remind you not to get too comfortable.

Then there's a long suite of "Revenge" music: "Suite Revenge: a) Striking Back, b) Riverside Park, c) The Alley, d) Last Stop, e) 8th Avenue Station". It starts out as modern chamber music, develops into more conventional dramatic underscore for a larger ensemble which is eventually replaced by a percussion-driven groove freak out before concluding with a sort of minimalist not quite funk cue that features bass clarinet.

"Ochoa Kknose" starts with flute and piano, very gently, somewhat reminiscent of Lalo Schifrin before Hancock brings in woodwinds and strings and percussion, directing the listener to the sonic location of the story.

You might expect "Party People" to be some rocking diegetic music for a party scene, and maybe for just a few seconds it is, but mostly it's a thoughtful, melancholy and restrained piece for strings and percussion that has an eerie and ethereal feel to it.

The album wraps up with the most intense and funky piece, the post-jazz, electric Miles-influenced rock-funk-whatever of "Fill Your Hand", an extended feature for electric piano and synth and a superb piece.