2013 April 08 • Monday
The 261st Soundtrack of the Week is this CD with two Ennio Morricone scores, Agent 505—Todesfalle Beirut and Il Successo.
Agent 505—Todesfalle Beirut is form 1966 and presumably one of the many spy films hoping to bask in some glory reflected from the James Bond industry.
The title music, "La Trappola Scarra a Beirut" is a weird mixture of blaring brass, frantic drum fills and slinky electric guitar. This is followed by "Inseguimento", driven by electric guitar and featuring the flute until the brass section comes crashing in again. It then inexplicably relaxes into a section that's similar to part of the score for The Good, the Bad and the Ugly. Both of these cues feature occasional appearances of ethereal wordles vocals. There are also "Inseguimento Secondo" and "Inseguimento "Terzo".
"Relax Per Un Agent Segreto" expands upon the part of "Inseguimento" that's similar to part of The Good, the Bad and the Ugly, while "La Trappola" is like a slowed-down variation on the title music. "Baci Dopo Le Palottole" is a Mancini-esque lounge ballad "Languidamente" is also a lounge ballad, but more Morricone than Mancini.
The main title music is reprised for "Agente 505 in Azione" Somewhere in between that theme and the "La Trappola" theme, or perhaps a combination of the two, is "Missione Pericolosa" and "Agente 505: Missione Compiuta". These cues sound a bit like John Barry's Bond music, but with a reverb electric guitar sound that could only be from Italy in the 1960s. The same musical idea, combined with the "Inseguimento" figure, shows up in "Attesa e Fuga".