Thursday, 05 July 2007 Hi, Sheila!
In The World, The Flesh and The Devil, which starred Harry Belafonte, there appeared to be only three people left on the planet after World War 3, a man and a woman of one race and another man of another race. The screenplay was probably supposed to find drama and excitement in the sexual and racial tensions such a situation could create. I found myself hoping a fourth survivor would come along and kill all three of these idiots. The Quiet Earth is remarkably similar — same number of survivors, same racial and sexual tensions — but it's actually intelligent, interesting and entertaining. It's a little similar to M. P. Shiel's classic The Purple Cloud but is based on a novel by somebody named Craig Harrison. Both stories begin with a lone survivor who goes kind of nuts, fancies himself a kind of god and enjoys some wanton acts of destruction. In one memorable scene in The Quiet Earth, he puts on a police uniform and walks the downtown streets in pouring rain while playing the saxophone.
I haven't seen anything else by Kenta Fukasaku — Kinji Fukasaku's son — but on the basis of his Sukeban Deka movie I would say he has one of the worst visual styles of any director working today. It makes Tony Scott's Domino look almost good. The "plot" was something like "We think something bad is going to happen in 3 days. Find out what it is and stop it." (I guess 24 is popular in Japan, too.) Okay, you don't need much of a plot for this movie, but you do need to keep things moving. Sukeban Deka: Kodo nemu = Asamiya Saki was scandalously light on action. In fact, I would say that the movie poster is more exciting than anything in the movie itself. |