Gutbrain Records

Thursday, 09 November 2006

People have been telling me that they like the photos of Gracie in front of the TV. I like them too. I like the real thing even better. Alice and I went to the movies last night (The Departed) and it was weird not to have Gracie poking her head in front of the screen.

The Departed was only so-so. Infernal Affairs was better, partly because it was simpler and shorter. There are so many betrayals and double-agents in The Departed that I wondered if they hadn't meant to make A Scanner Darkly instead but got confused somehow. The Departed doesn't really look much like a Scorsese movie, which was surprising. I made an effort to see it on the big screen but I probably needn't have bothered.

More boring movies: Equilibrium is basically a rip-off of Fahrenheit 451 with bits thrown in from Nineteen Eighty-Four, Brave New World and The Matrix. In Fahrenheit 451 they burn books. (I'm not sure why. It wasn't explained in Truffaut's movie, which I also thought was boring. I had to watch it for Bernard Herrmann's score, though.) In Equilibrium they burn everything that may trigger an emotional response: books, art, music, etc. Some of the emotion-stirring contraband that the resistance fighters are hoarding is a bit surprising. I noticed a "Ped X-ing" sign, for instance, with those black, round-headed figures of people. I suppose that Pez dispensers, cans of soup, marbles, dust bunnies, parking tickets and extension cords are also outlawed. Dogs are forbidden, and the whole cast is upstaged by a puppy who appears about halfway through the movie.

I had wanted to watch Deadfall for a while, mostly because of John Barry's soundtrack. Michael Caine plays a jewel thief who wants to rob this one guy's house that appears to be burglar-proof. Previous attempts have ended in the deaths of the thieves. At one point, Caine robs a different house while we see John Barry conducting a performance of a concerto for guitar and orchestra he composed for the film.

Deadfall has a promising beginning but not much ends up happening in it. I found it hard to sit through. I guess I'm not a fan of the director, Bryan Forbes. He also made Seance on a Wet Afternoon, which I also found hard to sit through. John Barry fans will enjoy seeing him at work in Deadfall, though I don't think the score is one of his best. It does have a few good cues, and some music from his soundtrack to Beat Girl is used in a party scene.

Thieves' Highway is not a bad movie but it suffers when compared to its source novel, Thieves' Market, by A. I. Bezzerides, who also wrote the screenplay. The book was a vision of a hell in which two truckers descend further and further into desperation, squalor, agony and evil. The movie skirts around the edges of this but keeps things much more wholesome. It's nicely photographed, has good music by Alfred Newman and is well directed by Jules Dassin but too much of it will seem ludicrous to anybody who has read the book. It's no Wages of Fear, that's for sure.